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Radio Bristol Book Club: The Lost World of James Smithson: Science, Revolution, and the Birth of the Smithsonian

Welcome to Radio Bristol Book Club where readers from the Birthplace of Country Music Museum and the Bristol Public Library come together each month to celebrate and explore books inspired by our region’s rich Appalachian cultural and musical heritage! We invite you to read along and then listen to Radio Bristol on the fourth Thursday of each month at 12:00 noon when we dig deep into the themes and questions raised by the books, learn more about the authors, and celebrate the joys of being a bookworm!

For those who don’t know, the Birthplace of Country Music Museum is a Smithsonian Affiliate museum, and so that connection inspired our July book club pick: The Lost World of James Smithson: Science, Revolution, and the Birth of the Smithsonian by Heather Ewing. British scientist James Smithson (1765–1829) left his estate to the United States to found “at Washington, under the name of the Smithsonian Institution, an establishment for the increase and diffusion of knowledge.” Congress authorized acceptance of the Smithson bequest on July 1, 1836, and ten years later the Smithsonian was officially founded. Drawing on unpublished letters and diaries from archives across Europe and the United States – including the entirety of the Smithsonian’s archive – Heather Ewing paints an in-depth and fascinating portrait of James Smithson. His compelling story takes us from his complicated beginnings as the illegitimate son of the first Duke of Northumberland to his career in science, the closest thing the 18th century had to a meritocracy. Against a backdrop of war and revolution, Smithson and his friends, who included many of the most famous scientists of the age, burst through boundaries at every turn, defying gravity in the first hot air balloons, upending the biblical timeline with their geological finds, and exploring the realm of the invisible with the discovery of new gases. This book presents readers with a wonderful journey through science, ambition, and philanthropic vision, resulting in the largest museum and research complex in the world!

Book cover shows a painted portrait of James Smithson - he is a white man, middle-aged, wearing a high collar and white cravat, and a black frock coat.

Heather Ewing is a graduate of Yale University and the Courtauld Institute of Art. She is an architectural historian who has worked for the Smithsonian and the Ringling Museum of Art. She lives in New York.

Please make plans to join us on Thursday, July 28 at 12:00pm for the discussion of The Lost World of James Smithson: Science, Revolution, and the Birth of the Smithsonian. You can find us on the dial at 100.1 FM, streaming live on Radio Bristol, or via the Radio Bristol app. The book is available at the Bristol Public Library, so be sure to pick up a copy and read it ahead of time. The librarians will be happy to help you find the book. We look forward to exploring this book on-air, and if you have thoughts or questions about the book that you would like to share with our readers, you can email info@birthplaceofcountrymusic.org (Subject line: Radio Bristol Book Club) – your book insights might appear on air with us!

Looking ahead: Our book pick for August is The Thread That Runs So True by Jesse Stuart; we’ll be discussing it on Thursday, August 25. Check out our full list of 2022 Radio Bristol Book Club picks HERE, where you can also listen to archived shows!

* The featured image above is the original Smithsonian Institution building, Washington, D.C. in 1864. Liljenquist Family Collection of Civil War Photographs. http://lccn.loc.gov/2017659613

Rene Rodgers is Head Curator at the Birthplace of Country Music Museum and an obsessive reader!

Radio Bristol Spotlight: The Willy Nillys

Radio Bristol is proud to offer a platform to local and regional artists who are often underrepresented on a national level yet deserving of that audience. In expanding upon Radio Bristol’s core mission, we are pleased to bring you our latest Radio Bristol Spotlight post. This blog series highlights top emerging artists in our region – through interviews and performance, we learn more about the musicians who help to make Central Appalachia one the richest, and most unique musical landscapes in the world.

Recently at the Radio Bristol studio, we hosted the newly re-formed duo The Willy Nillys, comprised of the easygoing road warrior couple, Christy Lynn Barrett and Ryan Schilling. Currently based in Asheville, North Carolina, the two have been hitting the highway on multiple DIY cross-country road trips for the better part of a decade, playing dive bars and open mics sprawled across sleepy countryside towns. Their long musical journey has incorporated multiple converted vans or other “assorted vintage vehicles,” nights spent everywhere from sketchy Walmart parking lots to majestic National Forests, self-recorded albums with hand-cut vinyl, and a menagerie of analog audio gear including the 1987 Ford Econoline known as the American Sound Truck, which houses a direct to vinyl recording studio.

A young couple stand in front of a big window with a building seen through it. They are both white and wearing light-colored denim short-sleeved shirts and dark blue denim jeans. The woman stands to the left; she has chin-length slighly wavy red hair and leans her head on the man's shoulder. The man stands to the right and has dark brown shoulder-length hair and a beard/moustache.

The Willy Nillys’ Christy Barrett and Ryan Schilling pose in unquestionably classy denim on denim attire. Photo Credit: Izzy Nelson

The dream-manifesting pair grew up in small dusty desert towns in Southern California, home to mystic cowboys such as Gram Parsons and creative origin for the legendary Laurel Canyon folk music scene of the 1960s and 1970s. Meeting by happenstance at a late night party, Barrett and Schilling quickly began writing music together, delving ever deeper into musical influences that lead them to the rich soils of Appalachia. Nowadays the couple own and run  American Vinyl Co., a one-stop shop for everything from custom lathe-cut vinyl records, record mastering/pressing, direct-to-lacquer recording, live musical performances, a record shop, and a well-curated collection of historical audio equipment – all located in a beautifully renovated 1940s warehouse on the South Slope near downtown Asheville. To fully grasp the breadth of everything that happens at American Vinyl Co., we highly suggest going there for a visit – you can order from their “menu,” which includes recording a single inside the sound truck, or you can check out a show where they host an impressive variety of emerging roots music and Americana acts. You can check out their event schedule here.

A converted warehouse-style studio space is seen in this photograph. Large multi-paned windows line the back wall; it is night-time outside and you can see the glow of greenish lights in the windows to the left. In the studio can be seen various vintage microphones, instruments on stands, and other music paraphernalia. A record-shaped sign for American Vinyl Co. is hanging in the windows to the right.

American Viny Co. Stage located just outside of downtown Asheville in the “Brewery District” of South Slope. 

This industrious duo also still finds time to crank out inspiring original music, amidst refurbishing retro musical equipment and pressing loads of vinyl records for independent artists. Their latest iteration as The Willy Nillys is the third progression of their musical brainchild. Past projects have included the Christy Lynn Band, which is heavily inspired by Barrett’s lifelong love of classic country, and Triumph of the Wild, which won the couple first place for best recording at the San Diego Music Awards and began their relentless pilgrimage to musical sites of inspiration throughout the rural south. In the Radio Bristol studio, we got to witness a few of their brand new songs and talk about new recording projects on the horizon.

Starting out they played a tune called “American Daydream,” a hopeful yet rugged romp accented by cinematic swells of harmonica and hair-raising vocal harmonies. The lyrics seem to recount their idyllic but at times dangerous and unglamorous experience as OG van lifers – living off of sink showers and hints of Ola Belle Reed melodie,; learning how to befriend locals, and staying out of trouble with local police. The chorus proclaims “Livin our life like we wanted to…In an American Daydream with you,” ending with the road-weary affirmation: “A couple beggars, a couple of crooks, A couple of nobodies you overlooked…There ain’t a risk we ain’t never took.” This band is definitely for lovers of Shovels and Rope, The Everly Brothers, and 1950s pop employing powerhouse vocals and swishing echo-like back beats.

They also shared a somber number, “It Ain’t Fair,” a tune with a lilting melody that felt reminiscent of classic country balladry. The song slowly gallops along with regretful lyrics that recount sacrifices made as traveling songwriters – missing their nephews grow up and their parents aging. The stoic beauty and honesty of this song will leave a lump in your throat and tears in your eyes, with the last verse admitting:

“To my two sisters, I’ve been meaning to call
It breaks my heart knowing, I don’t know you at all
So I’ll pack my suitcase and I’ll go back in time
Back before a song was always on my mind.”

This is a band that is definitely worth checking out – so be sure to keep your eyes peeled for a new EP coming from them this summer, one that is sure to be self-produced and released with hand-pressed vinyl from American Vinyl Co.

Check out The Willy Nillys playing “It Ain’t Fair” live in the Radio Bristol studio.

Ella Patrick is a Production Assistant at Radio Bristol. She also hosts Folk Yeah! on Radio Bristol and is a performing musician as Momma Molasses.

Radio Bristol Book Club: Crooked Hallelujah

Welcome to Radio Bristol Book Club where readers from BCM and the Bristol Public Library come together each month to celebrate and explore books inspired by our region’s rich Appalachian cultural and musical heritage! We invite you to read along and then listen to Radio Bristol on the fourth Thursday of each month at 12:00 noon when we dig deep into the themes and questions raised by the books, learn more about the authors, and celebrate the joys of being a bookworm!

Our June book club pick is Crooked Hallelujah by Kelli Jo Ford. A saga about family, the bonds between women, and surviving in a world filled with challenges and dangers, Crooked Hallelujah tells the stories of Justine – a mixed-blood Cherokee woman – and her daughter, Reney, as they move from Eastern Oklahoma’s Indian Country in the hopes of starting a new, more stable life in Texas amid the oil bust of the 1980s. Justine’s mother Lula and her Granny were powerful forces in her life, and leaving them and the home she’s always known behind is hard. Throughout the book, Kelli Jo Ford explores the mother-daughter bond and the ways that this family sacrifices much for those they love, amid the larger forces of history, religion, class, and culture.

A black book cover with the silhouette of two women holding hands. The silhouettes show a red sky and open landscape.

Courtesy of Grove Atlantic

Kelli Jo Ford is a citizen of the Cherokee Nation of Oklahoma. Crooked Hallelujah, her debut novel-in-stories, was longlisted for the PEN/Hemingway Award for Debut Novel, The Story Prize, the Carnegie Medal for Excellence in Fiction, The Dublin Literary Award, and The Center for Fiction’s First Novel Prize. She is the recipient of an NEA Creative Writing Fellowship, The Paris Review’s Plimpton Prize, a Native Arts & Cultures Foundation National Artist Fellowship, an Elizabeth George Foundation Grant, and a Dobie Paisano Fellowship. She teaches writing at the Institute of American Indian Arts.

A photograph of a Native American woman. She has short black hair and is wearing a dark blue long-sleeved top and dangly earrings. She is smiling at the camera.

Courtesy of Grove Atlantic, © Val Ford Hancock

Please make plans to join us on Thursday, June 23 at 12:00pm for the discussion of Crooked Hallelujah. You can find us on the dial at 100.1 FM, streaming live on Radio Bristol, or via the Radio Bristol app. The book is available at the Bristol Public Library, so be sure to pick up a copy and read it ahead of time. The librarians will be happy to help you find the book. We look forward to exploring this book on-air, and if you have thoughts or questions about the book that you would like to share with our readers, you can email info@birthplaceofcountrymusic.org (Subject line: Radio Bristol Book Club) – your book insights might appear on air with us!

Looking ahead: Our book pick for July is The Lost World of James Smithson: Science, Revolution, and the Birth of the Smithsonian by Heather Ewing; we’ll be discussing it on Thursday, July 28. Check out our full list of 2022 Radio Bristol Book Club picks here, where you can also listen to archived shows!

Rene Rodgers is Head Curator at the Birthplace of Country Music Museum and an obsessive reader!

Radio Bristol Spotlight: Chance Lawson

Radio Bristol is proud to offer a platform to local and regional artists, artists who are often underrepresented on a national level yet deserving of that audience. As part of Radio Bristol’s core mission, we are pleased to share our latest Radio Bristol Spotlight post. Radio Bristol Spotlight is a series highlighting top emerging artists in our region. Through interviews and performance we will learn more about the musicians who help to make Central Appalachia one of the richest and most unique musical landscapes in the world.

Singer-Songwriter Chancellor (Chance) Lawson has been turning heads with his acoustic solo originals, recently winning the Tennessee Songwriters Week Competition for the Northeast Tennessee region. Local finalists performed at The Down Home in Johnson City, Tennessee, competing for a chance to play a showcase at Nashville’s acclaimed listening room, the Bluebird Cafe .The competition was hosted at six different historical venues throughout the state, and celebrates the “foundation of the craft for which Tennessee is known – music.”

A photograph of a white man standing in front of a vinyl banner for the Tennessee Songwriters Week Competition; you can see a stage area with instruments behind the banner and the man. The man is young, with wavy brown chin-length hair; he is wearing glasses, a white t-shirt, and jeans. He holds a guitar in one hand.

Chance Lawson at The Down Home in Johnson City, Tennessee, following his performance for Tennessee Songwriters Week Competition finals. Courtesy of Chance Lawson

Growing up in Kingsport, Tennessee, Lawson has been a staple at open mic nights and stages surrounding the Tri-Cities, performing with the collectively run indie-rock band Donnie and the Dry Heavers. This summer the musician also plans to open up a brand new venue in his hometown – the Market Street Social Club will be an inclusive space for pickers of all levels and performers of everything from music to stand-up comedy. The club will host multiple open mics weekly, as well as live performances by regional and touring artists. Recently we got to visit with Lawson in the Radio Bristol studio where he shared plans for the new space, plus some of his original tunes and off-the-cuff asides about his laid back approach to creating music.

Complete with Stetson and cowboy hat, Lawson confidently strolled into the studio and started things off with a bluegrassy original tune called “The Flood.” Fashioned together with idyllic imagery and fluid flatpicking, the song depicts a listless experience of existing – using water as a metaphor for the ebb and flow of emotion, proclaiming Lawson’s ability to remain stable and to keep “holding on” even while expressing an inner need for traveling that keeps his feet from “rooting.” Inspired by heralded Americana songwriters such as Jason Isbell and John Prine, Lawson is an astonishingly polished performer whose dues earned at countless local venues are paying off. His songs, embellished by effortless guitar playing and velvety smooth twang-tinged vocals, offer a bona fide look into the raw talent that comes from our region.

Playing on a brand new Taylor guitar that was part of the prize for winning the Tennessee Songwriters Week Competition, Lawson admitted that he was shocked when his name got called as the overall winner for the Northeast Tennessee region at The Down Home. Lawson’s flare for creating original music has been opening up major doors for the songwriter. He spoke highly about his experience playing at The Bluebird Cafe in Nashville, saying that he felt like folks there were super supportive, and he was impressed by the other songwriters such as Tyson Leamon and Jacob Rice, who made it clear why they had won for their prospective regions.

A black-and-white photograph of a white male musician wearing a white Stetson-style hat and holding a guitar. He is standing in front of a radio booth.

Chance Lawson at the Radio Bristol studio. © Birthplace of Country Music

Raised playing gospel music at Cross Roads United Methodist Church and taught guitar by his mother, Lawson comes from a family with deep musical roots. His grandfather was celebrated country music star Red Kirk, who made appearances on historic radio programs such as WNOX’s MidDay Merry-Go-Round, WLS’s National Barn Dance, the Louisiana Hayride, and the Grand Ole Opry. With country music and traditions running through his veins one might find it surprising that one of Lawson’s earliest and most impactful influences was The Grateful Dead. He described first hearing “Friend of the Devil” during a hazy car ride and becoming completely hooked on the sound, which to him blended the traditional bluegrass scales he grew up on with a more meandering sideways-hippie-infused sound. Becoming a “Dead Head” seems to have sparked a creative ember for Lawson who then shared a song called “Jerry and Jesus.” The song reads as a thoughtful plea for reconciliation across musical and philosophical boundaries. Lyrics such as “Let’s get along, let’s throw a party tonight…now that’s worth praying for. Let’s make mistakes, that’s how we learn anyways…Who said you can’t love Jerry and Jesus?” offer a heartfelt perspective on merging Lawson’s Tennessee roots with a broader worldview. The seemingly paradoxical inclination to meld stylistic influences from traditional music along with subjective songwriting makes Lawson’s songs a provocative and compelling listen.

While playing in the Radio Bristol studio, Lawson also performed “Happy Man,” the tune that won him the Tennessee Songwriters Week Competition. Inspired by his girlfriend, the catchy song mixes pop sensibilities by blending country twang with rhythm-and-blues vibes…think Bill Withers meets Gary Stewart. The song is refined yet maintains its authenticity. To watch a live performance of the song watch the video below, and be sure to follow Lawson’s music online via his Facebook page.

Chance Lawson performing “Happy Man,” winner of the 2022 Tennessee Songwriters Week Competition.

Ella Patrick is a Production Assistant at Radio Bristol. She also hosts Folk Yeah! on Radio Bristol and is a performing musician as Momma Molasses.